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	<title>Guitar Bass Drums Voice</title>
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	<description>- Music Lessons in the Kenai Soldotna area</description>
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		<title>#TCVideoFridays – May 18th 2012</title>
		<link>http://leegattenbymusic.com/2012/05/18/tcvideofridays-may-18th-2012/</link>
		<comments>http://leegattenbymusic.com/2012/05/18/tcvideofridays-may-18th-2012/#comments</comments>
		<pubDate>Fri, 18 May 2012 17:54:55 +0000</pubDate>
		<dc:creator>TuneCorner Music Blog</dc:creator>
				<category><![CDATA[Live Performance]]></category>

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		<description><![CDATA[We've finally reached #TCVideoFridays! Enjoy these videos from TuneCore Artists as you're getting ready for a few more days of sun...]]></description>
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		<title>Should Music Be Open Source? A Remixed Conversation</title>
		<link>http://leegattenbymusic.com/2012/05/18/should-music-be-open-source-a-remixed-conversation/</link>
		<comments>http://leegattenbymusic.com/2012/05/18/should-music-be-open-source-a-remixed-conversation/#comments</comments>
		<pubDate>Fri, 18 May 2012 14:56:00 +0000</pubDate>
		<dc:creator>Clyde Smith</dc:creator>
				<category><![CDATA[Live Performance]]></category>
		<category><![CDATA[Music 2.0]]></category>

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		<description><![CDATA[The Polish Ambassador, a &#34;beat machine from the future,&#34; raised a number of interesting questions on Facebook about &#34;what it would mean to be an 'open source' musician.&#34; Discussion ensued. Mike Masnick pointed to this discussion on TechDirt. More discussion ensued. I've taken some elements from these commentaries and remixed them with related material. I hope you find this remix useful in your own considerations of what open source music might be and how to become an open source musician. Mike Masnick alerted us to the news that &#34;Kevin H alerts us to the news that electronic music/DJ artist The...]]></description>
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		<title>Creative Networks For Music Marketing &amp; Community: Convozine, New Hive, Diaspora</title>
		<link>http://leegattenbymusic.com/2012/05/18/creative-networks-for-music-marketing-community-convozine-new-hive-diaspora/</link>
		<comments>http://leegattenbymusic.com/2012/05/18/creative-networks-for-music-marketing-community-convozine-new-hive-diaspora/#comments</comments>
		<pubDate>Fri, 18 May 2012 14:28:00 +0000</pubDate>
		<dc:creator>Clyde Smith</dc:creator>
				<category><![CDATA[Live Performance]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[Startups]]></category>

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		<description><![CDATA[Limiting one's creative awareness by focusing only on music is increasingly as big a career mistake as avoiding understanding the world of business. Social media has turned musicians into publishers, business is embracing design and creative networks are offering additional opportunities for musicians to find community while marketing their artistic brand. Such creative networks range from digital zine platform Convozine to creative center The New Hive to Diaspora and its increasing focus on creative expression. If you don't follow business news beyond the world of music industry blogs and related publications, you might not realize that design thinking as a...]]></description>
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		<title>PlayFi Lets Bands Play Shows Online &amp; Sell Tickets</title>
		<link>http://leegattenbymusic.com/2012/05/18/playfi-lets-bands-play-shows-online-sell-tickets/</link>
		<comments>http://leegattenbymusic.com/2012/05/18/playfi-lets-bands-play-shows-online-sell-tickets/#comments</comments>
		<pubDate>Fri, 18 May 2012 13:56:00 +0000</pubDate>
		<dc:creator>Clyde Smith</dc:creator>
				<category><![CDATA[Live Performance]]></category>
		<category><![CDATA[Startups]]></category>
		<category><![CDATA[Video]]></category>

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		<description><![CDATA[Guest post by Eliot Van Buskirk of Evolver.fm. We’ve just received word of a promising-looking new online music outfit out of Australia whose main premise is to help bands sell tickets to online shows, which they can then webcast using their own equipment to fans worldwide, or just in specific regions. PlayFi is a fairly standard online music store that lets fans set prices for MP3s and sell them while giving 30 percent to PlayFi, which is the standard deal. We’ve seen plenty of online music stores, as you probably have too. PlayFi’s works pretty well, with a clean design...]]></description>
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		<title>Live Nation &#8216;Upgrades&#8217; Ampitheatres With $4 Beer</title>
		<link>http://leegattenbymusic.com/2012/05/18/live-nation-upgrades-ampitheatres-with-4-beer-2/</link>
		<comments>http://leegattenbymusic.com/2012/05/18/live-nation-upgrades-ampitheatres-with-4-beer-2/#comments</comments>
		<pubDate>Fri, 18 May 2012 13:00:00 +0000</pubDate>
		<dc:creator>Bruce Houghton</dc:creator>
				<category><![CDATA[Live Performance]]></category>

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		<description><![CDATA[Ever since Michael Rapino took the helm at Live Nation, he's been saying he wants to improve the concert going experience at their amphitheaters, and yesterday he announced a variety of upgrades. One addresses a key complaint: the concert giant is now be offering cheaper beer - $4 dollars for a 12 oz. domestic draft (except for Toronto and Houston). As well, the company has &#34;upgraded&#34; its food quality at concession stands, including &#34;restaurant grade&#34; hamburgers, hot dogs, pizza, chicken tenders, and corn dogs. (What &#34;grade&#34; food were they serving before?). Other &#34;upgrades&#34; include: Enhanced audio and video capabilities at...]]></description>
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		<title>Live Nation &#8216;Upgrades&#8217; Ampitheatres With $4 Beer</title>
		<link>http://leegattenbymusic.com/2012/05/18/live-nation-upgrades-ampitheatres-with-4-beer/</link>
		<comments>http://leegattenbymusic.com/2012/05/18/live-nation-upgrades-ampitheatres-with-4-beer/#comments</comments>
		<pubDate>Fri, 18 May 2012 13:00:00 +0000</pubDate>
		<dc:creator>Bruce Houghton</dc:creator>
				<category><![CDATA[Live Performance]]></category>

		<guid isPermaLink="false">http://leegattenbymusic.com/?guid=0766f7d2ec0ffcdea6ffb2f334afd438</guid>
		<description><![CDATA[Ever since Michael Rapino took the helm at Live Nation he's been saying that he wants to improve the concert going experience at their amphitheaters, and yesterday he announced a variety of upgrades. One addresses a key complaint: the concert giant is now be offering cheaper beer - $4 dollars for a 12 oz. domestic draft (except for Toronto and Houston). As well, the company has &#34;upgraded&#34; its food quality at concession stands, including &#34;restaurant grade&#34; hamburgers, hot dogs, pizza, chicken tenders, and corn dogs. (What &#34;grade&#34; food were they serving before?). Other &#34;upgrades&#34; include: Enhanced audio and video capabilities...]]></description>
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		<title>WEEKEND FUN:  Misc. Gadgets, Robots Bricolo mechanical music system (Video)</title>
		<link>http://leegattenbymusic.com/2012/05/17/weekend-fun-misc-gadgets-robots-bricolo-mechanical-music-system-video/</link>
		<comments>http://leegattenbymusic.com/2012/05/17/weekend-fun-misc-gadgets-robots-bricolo-mechanical-music-system-video/#comments</comments>
		<pubDate>Thu, 17 May 2012 21:45:47 +0000</pubDate>
		<dc:creator>Bruce Houghton</dc:creator>
				<category><![CDATA[Live Performance]]></category>

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		<description><![CDATA[http://www.engadget.com/2012/05/16/bricolo-mechanical-music-system-hand-on-video/


       
]]></description>
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		<title>Justin Bieber Invested In Spotify, But They&#8217;d Rather Not Talk About It</title>
		<link>http://leegattenbymusic.com/2012/05/17/justin-bieber-invested-in-spotify-but-theyd-rather-not-talk-about-it/</link>
		<comments>http://leegattenbymusic.com/2012/05/17/justin-bieber-invested-in-spotify-but-theyd-rather-not-talk-about-it/#comments</comments>
		<pubDate>Thu, 17 May 2012 19:33:54 +0000</pubDate>
		<dc:creator>Bruce Houghton</dc:creator>
				<category><![CDATA[Live Performance]]></category>
		<category><![CDATA[Startups]]></category>

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		<description><![CDATA[Justin Bieber has a net worth of $80 million and counting, according to Forbes; and he and manager Scooter Braun have invested a substantial portion of it in technology. Bieber's dozen or so tech investments include Tinychat, social ­curation app Stamped, gamer Sojo Studios and... Spot­i­fy. These deals aren’t the usual equity endorsement deals, according to Forbes. Bieber put $250,000 or more in cash into each of the dozen or so startups in his portfolio. And unilke most celebirty investments, few of the companies he's involved in have ever promoted their ties to the singer. In fact,Spotify, &#34;wouldn’t even discuss&#34;...]]></description>
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		<slash:comments>0</slash:comments>
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		<title>FanCulture: Building A Fanbase As A Lifetime Relationship</title>
		<link>http://leegattenbymusic.com/2012/05/17/fanculture-building-a-fanbase-as-a-lifetime-relationship/</link>
		<comments>http://leegattenbymusic.com/2012/05/17/fanculture-building-a-fanbase-as-a-lifetime-relationship/#comments</comments>
		<pubDate>Thu, 17 May 2012 17:29:19 +0000</pubDate>
		<dc:creator>Clyde Smith</dc:creator>
				<category><![CDATA[Live Performance]]></category>
		<category><![CDATA[D.I.Y.]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Social Media]]></category>

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		<description><![CDATA[FanCulture: The Evolution of Influence is a nearly 30-minute documentary focused on the relationship of brands with their fans. Created by Amplify, an agency specializing in &#34;brand strategy, experiences and amplification,&#34; the documentary is somewhat of a meditation on the nature of fans and their interest in brands from a group of marketers and superfans. In some cases the brands are bands and in all cases the discussion is relevant to marketing music. Amplify's FanCulture: The Evolution of Influence won't be making the rounds of movie theaters for general audiences but is a useful tool for chilling out and considering...]]></description>
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		<slash:comments>0</slash:comments>
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		<title>On The State Of Black Music In America: Is It About The Message Or The Music?</title>
		<link>http://leegattenbymusic.com/2012/05/17/on-the-state-of-black-music-in-america-is-it-about-the-message-or-the-music/</link>
		<comments>http://leegattenbymusic.com/2012/05/17/on-the-state-of-black-music-in-america-is-it-about-the-message-or-the-music/#comments</comments>
		<pubDate>Thu, 17 May 2012 16:10:54 +0000</pubDate>
		<dc:creator>Clyde Smith</dc:creator>
				<category><![CDATA[Live Performance]]></category>
		<category><![CDATA[Music 2.0]]></category>

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		<description><![CDATA[Guest post by Langston Collin Wilkins (@LangstonVillain), a Ph.D. Candidate in ethnomusicology, who blogs all things music, tech, and culture at Soul 4 Sale. Whenever I re ad about the state of Black music on the internet, one of the main complaints I hear is that it no longer has meaning or that it's not &#34;saying something.&#34; These &#34;critics&#34; recall a yesterday where all black music consisted of impactful lyrics that fell deeply on the ears of listeners, stimulating their brain muscles while penetrating into the deepest regions of their soul. I'm not certain that this magical period ever existed,...]]></description>
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